The Kaiju Transmissions Podcast

Rogue Stars! Gorath (1962) and Warning From Space (1956)

Byrd and Lux ring in the new year by talking about two Showa-era "colliding worlds" epics.  First is Daiei's Warning From Space, the first Japanese science fiction film made in color.  It tells of a race of cyclops starfish aliens who warn humanity that a planet called Planet R is on a collision course with the earth.  After that we discuss 1962's Gorath (technically a New Years movie!), Ishiro Honda's classic that tells of the titular star on a collision course with earth and the scientists tasked to prevent it with very little time.  We also talk about the history of "worlds colliding" films, the weird post-film history of Gorath's walrus kaiju, Magma, and we determine which of these golden age classics holds up better.  Relax and join the conversation!

Godzilla Minus One (2023)- Kaiju Sized Roundtable Discussion

Byrd, Matt, Kevin, Lux, Trev, and Tom assemble for a sprawling mega-sized, in depth review of Godzilla Minus One. Toho's latest entry in the franchise is a reboot taking place in the 1940s, as Japan rebuilds after World War 2.  It follows Koichi, a former kamikaze pilot with survivor's guilt and PTSD as he struggles to find his lot in life and confront his trauma, as the H-Bomb mutated dinosaur called Godzilla emerges and devastates Japan.  Our kaiju-sized crew of hosts discuss their feelings on every aspect of the film, as well as our varied interpretations of the subtext and themes within it.  So what did we think?  Relax and find out!  But first we also give our thoughts on the new trailer for the upcoming Godzilla x Kong: The New Empire!

The Fantasy Films of Takashi Yamazaki + Godzilla Day 2023

In our lead up to Godzilla: Minus One, Byrd, Lux, Tom and Kevin examine more science fiction and fantasy films from director Takashi Yamazaki (Parasyte, Ghost Book, The Eternal Zero).  Yamazaki made his first feature in 2000 and has been a consistent hit maker since, making some of the most successful Japanese films of recent years.  For this episode, we discuss and review his debut coming of age/time travel feature, Juvenile (2000), the time travel action fest Returner (2002), and the whimsical yokai fantasy Destiny: The Tale of Kamakura (2017).  We also give a crash course in Yamazaki's career, discussing the recurring themes of his work and the evolution of his career over the years.  But first, we have our thoughts on Toho’s recent Godzilla Day shorts, and Kevin gives us a recap of his recent trip to Japan, including attending Godzilla Day and visits to the current Takashi Yamazaki exhibit and a tokusatsu museum!  

So before checking out Godzilla Minus One, hang out with us and learn about its revered director!

Ghost Book (aka Yokaipedia) (2022)

If you think Halloween came and went too soon, Byrd, Tom, Lux and Kevin are here to help soothe your Halloween Hangover with some more yokai-centric madness, with Toho's 2022 fantasy film Ghost Book (aka Yokaipedia).  Directed by Takashi Yamazaki (Godzilla Minus One, Eternal Zero, Parasyte 1 & 2), this adaptation of the "Ghost Book Obakezukan" picture books tells the story of a group of children who share a wish that can only be granted if they accept a series of challenges given to them by a magical and otherworldly Ghost Book.  The children are tasked with finding and defeating various yokai creatures (who join their quest once defeated).  We'll give our thoughts on the film, Yamazaki's brand of family friendly fantasy, our hopes for Godzilla Minus One, and more.  Relax and enjoy the conversation!

The Tetsuo Trilogy

Our October horror series continues as Byrd, Tom, Lux and Kevin discuss Shinya Tsukamoto's cult classic Tetsuo trilogy!  Tsukamoto burst onto the Japanese indie scene with the first film in 1989, cementing him as a master of surrealist outsider cinema, putting his name alongside directors like Sogo Ishii, David Lynch, and David Cronenberg, and also becoming an icon of the emerging Japanese cyberpunk scene.  Tetsuo The Iron Man told the story of a Japanese salaryman slowly transforming into a mass of flesh, steel and raging libido.  1992's The Body Hammer took a less surrealistic approach to the material with a more straightforward narrative about a Japanese man who is tricked into murdering his son and his rage manifests in the form of guns and metal.  2009's The Bullet Man was an attempt to appeal to an American audience, with an English speaking cast and delving into the lore of the Tetsuo cyborg monster.  Although Tsukamoto's films are NOT for the faint of heart, they've managed to be extremely influential on genre cinema the world over.  In addition to the movies, we also discuss Tsukamoto's career, the definition of "cyberpunk," some of his famous fans and collaborators (including Martin Scorsese, Takashi Miike, Nine Inch Nails, and Quentin Tarantino), and how Tsukamoto's themes of destruction, sexuality, and man's merging with technology continue to be thought provoking years after his debut.  Sit back and enjoy the show!  Together, we can turn this world into rust!

Intro To GeGeGe No Kitaro

Byrd, Tom, Kevin, and Lux are back to give a crash course on Japan's biggest yokai franchise, GeGeGe No Kitaro.  The franchise, created by famous mangaka Shigeru Mizuki launched Japan's yokai folk creatures into the mainstream, where they have been ever since.  GeGeGe No Kitaro is about a yokai boy named Kitaro and his friends often trying to resolve a conflict between the human world and the yokai world.  For this podcast, we looked at a sampler of Kitaro anime adaptations from over the years: 1968's Daikaiju (loosely based on a 1958 Godzilla manga written by Mizuki) in which our protagonist turns into a giant whale monster.  Next we have the 1986 movie version of The Great Yokai War (which Daiei would take inspiration from for several of their yokai films), in which Kitaro and friends go up against Dracula, the Wolf Man, Frankenstein's Monster and the wicked witch.  We follow that with 1997's Yokai Express: Phantom Train film, which combines the Great Yokai War storyline with the Ghost Train storyline, this time seeing the classic Western monsters hijack a train from hell.  We close things off with two choice episodes of the recent 2018 Kitaro anime.  We'll get into the history of Kitaro, the career of Shigeru Mizuki, and give our thoughts on the various adaptations.  Relax and enjoy the show!

The Manster (1959) & The Revenge of Dr. X (aka The Venus Flytrap) (1968)

Byrd, Tom, Kevin and Lux pair up two independent horror films made in Japan by American filmmakers, with a mix of American and Japanese cast and crew.  First up we have the Manster, an early body horror film directed by Kenneth G Crane (the American version of Half Human) and starring Peter Dynely (Thunderbirds), Terri Zimmern Jerry Ito (Mothra), and Tetsu Nakamura (Mothra, Latitude Zero).  It is about an American journalist in Japan who becomes the subject of an evolution experiment that causes a monstrous creature to grow out of his shoulder and commit murders across Tokyo.  Then we have the Revenge of Dr. X (actually titled Venus Flytrap), a film written by Ed Wood (yes, that Ed Wood) and shot in Japan by bored military personnel stationed there (we get into that insane story).  It tells the story of a cantankerous NASA scientist who goes to Japan to "relax" and (for reasons left unclear) starts splicing plant DNA to create a violent plant-man.  There's unhinged gas station attendants, pearl divers, mute hunchbacks and more.  How do these compare to other b-movies of the times?  Why did some guys in the military decide to buy an Ed Wood script and shoot it in Japan?  Why is SO MUCH of the information out there about Dr. X false?  Which of these movies nearly drove us to madness? We have the answers, so relax and enjoy the conversation!

Parasyte- Parts 1 and 2 (2014/2015)

Byrd, Kevin, Tom and Lux are back with more Halloween chills and thrills to discuss Toho's two part live action Parasyte adaptation from director Takashi Yamazaki (Godzilla Minus One).  Based on the popular body horror manga of the same name, Parasyte is the story of alien body snatchers who have come to earth to prey on humanity.  A high school boy Shinichi has his hand possessed by one of the parasites and the two have to work together to take down the alien predators.  We'll discuss the films, how they compare to the anime and the original manga, and the stacked A list talent both in front of and behind the camera.  Listen and enjoy!

Kuroneko (1968)

With Matt on an extended hiatus, Byrd brings in Lux, Tom and Kevin to ring in our annual October horror series of podcasts by talking about Kaneto Shindo's folk-horror classic, Kuroneko!  Set in feudal Japan, it tells the story of a mother and her daughter in law who are raped and murdered by a troop of samurai.  The two come back as ferocious bakeneko (ghost cat) yokai by making a deal with the underworld to kill all samurai.  Things get complicated when the husband/son-in law of the pair returns home as a samurai.  Combining atmospheric black and white photography and influences from Japanese theater, Kuroneko has become one of the celebrated horror films of its time.  So how does it hold up?  Listen and find out!

Dragon Lizard Lord Super Monsters (1998-2000/2022) & Hammer of Draco: Wrath of Dragons (2017)

Byrd, Matt and Tom take a look at the completely baffling experience of the independent film Dragon Lizard Lord Super Monsters and the animated sequel, Hammer of Draco.  In 2022, director Omar Sayyah cobbled together a series of Godzilla fan films he made in the late 90s, removed references to Toho's monsters, and dubbed them over to make the bonkers Dragon Lizard Lord, a film that defies description, despite our best efforts.  Equally baffling is the animated sequel Hammer of Draco (which looks like it was made with Microsoft Paint).  Join us as we discuss the two bewildering films, the passion and sincerity of their enigmatic director, and more!